My Article For Voice Of Russia
WASHINGTON (VOR)— Much ado has been made about the purportedly entitled Millenial generation, but the reality of most young people’s lives is more akin to an urban dystopia than an utopia.



My Article For Voice Of Russia
WASHINGTON (VOR)— Much ado has been made about the purportedly entitled Millenial generation, but the reality of most young people’s lives is more akin to an urban dystopia than an utopia.



My Blog for Ministers Of Design
Art collectors loudly bemoaned the fact that they missed the chance to acquire the much-coveted pieces that routinely fetch six figures at a ridiculously discounted price. And Banksy, as he is wont to do, got to make fun of the idea of what constitutes art and the pretentiousness of the “art market,” where value is conferred by exclusivity. Would we recognize art if it is not labeled as such? And what happens when graffiti, an art form that in its very execution flies in the face of concepts such as ownership and private space, gets a price tag and starts participating in the very machine it seeks to obviate?
Banksy might as well be one of the world’s most reluctant “successful gallery artists.” The Sunday Central Park stunt was a spectacle, a performance art piece like the many he has done before, and it flew in the face of the notion that exclusivity confers value. Sure, Banksy is now, willingly or inadvertently, in the business of selling rebellion. But that doesn’t mean that taking the “art world’s” money has caused him to sell out. Sunday’s stunt was Banksy’s thumbing his nose at the fact that we need art critics to tell us what art is and how much it is worth. Banksy has often made fun of the elitism, pretentiousness, and outright absurdity of the curating art and placing it in a museum. The art market, like any other capitalist cultural reproduction tool, works to equate ownership of art with culture and the mark of the “cultured,” as James Clifford explored in his seminal article On Collecting Art and Culture.
According to the video from last Sunday, more than four hours passed before the first sale was made, to a customer who bargained to get two paintings for $60. Later, a woman from New Zealand bought two. Finally, a man from Chicago stopped and said, “I just need something for the walls” of his new place. He bought four. 8 paintings sold in total.
In other words, if it is not labeled as such, would we know a Banksy? Does knowing that it is a Banksy somehow raise the value of the art just because it is now branded and hence ownable and usable as an identifiable and identity-conferring status symbol? Does art’s subjectivity not mesh particularly well with its object-ivity? You tell us.
My Blog Post for Ministers of Design
The documentary Inequality For All, directed by Jacob Kornbluth, features Robert Reich, former Secretary Of Labor under Bill Clinton, author of Aftershock: The Next Economy and America’s Future, in an impassioned exposé on why the chasm between the rich and the poor has much further reaching implications than a mere income gap.
Unpaid internships have become increasingly common in the current career landscape, becoming almost a requisite milestone in “growing up.”
Nearly 40 percent of U.S. domesticated hives did not survive this past winter, making it the worst loss to date. Far more than just giving us honey, bees are a crucial player in our food production; they are responsible for pollinating many flowering plants–by some estimates, almost one out of every three bitesof food that we eat was produced with the help of these natural pollinators. Cashews, beets, broccoli, cabbage, watermelons, cucumber, strawberries, macadamia, mangoes, apricots, almonds are just a few of many of the delicious crops our six-legged worker friends toil on.
My post for the Ministers Of Design Blog
Revolutionary evolutionary psychologist Robin Dunbar has the answer to the question of how many friends do you need. The Director of the Institute of Cognitive and Evolutionary Anthropology at Oxford University earned the coveted honor of having a number named after him when he posited that 150 is the number of people we can maintain a meaningful social connection with.
Robin Dunbar arrived at that number by conducting a study of the Christmas-card-sending habits of the British. Amongst some of the findings of the study were that about a quarter of cards went to relatives, nearly two-thirds to friends, and 8 percent to colleagues. The chief finding, however, was the number of cards sent out always seemed to converge around the number 150. Over the past two decades, he and other researchers have arrived at 150 as the magical Pi-like number of social relationships. “The figure of 150 seems to represent the maximum number of individuals with whom we can have a genuinely social relationship, the kind of relationship that goes with knowing who they are and how they relate to us,” Dunbar explains. “Putting it another way, it’s the number of people you would not feel embarrassed about joining uninvited for a drink if you happened to bump into them in a bar.”
Dunbar’s work has been of tremendous interest to social media architects who initially conjectured that this number could very easily climb in the baseball-card-version-of-friends world of Facebook and its ilk. Facebook conducted research on this: while the median friend count on Facebook is 100, for most people (84%), the median friend count of their friends is higher than their own friend count. “Facebook has muddied the waters by calling them all friends, but really they are not,” Dunbar states. He regards Facebook’s main impact on social circles as an ability to preserve long-standing or long-distance friendships that might otherwise decay rapidly. The downside, he suggests, is hanging onto old and remote friendships prevents us from making new non-remote ones: “Since friends exist to be shoulders to cry on (metaphorically speaking!) and shoulders that are physically remote aren’t much use for crying on, this might not be ideal.”
The scope of Dunbar’s work is significantly larger than the rather reductionistic concept of 150 and he has continued to conduct research and expand his study of human social interaction. And while Dunbar’s number has been critiqued, it has managed to withstand the test of replication, remaining relevant event two decades later ( for example, research conducted in 2011 on Twitter found the average number of people a user regularly interacts with falls between 100 and 200). Dunbar agrees that people have different social networks for different purposes, but he qualified the term “friend” as a person we have an emotional connection with, independent of his/her utility to us: “Someone like your boss, or the person you borrow $50 from to pay the drug dealer, these people are meaningful in your life, but they’re not meaningful to you as relationships.”
The ultimate question remains not how many friends one can have on Facebook but how many friends one actually pays mind and heed to. As Dunbar explains, “Yes, I can find out what you had for breakfast from your Tweet, but can I really get to know you better? These digital developments help us keep in touch, when in the past a relationship might just have died; but in the end, we actually have to get together to make a relationship work.” Dunbar was first inspired to conduct this sort of research when he examined the grooming patterns of apes–what differentiated the humans was not just brain size but, much more importantly, the capacity for language. This capacity, funnily enough, is what is hyper developed in the world of social networking, yet Dunbar would argue words are hardly the glue of a strong emotional bond. Real meaningful interaction, research shows, still remains face-based and not word or baseball-card-collection-based.
My post for the Ministers Of Design Blog
How do we measure racism and homophobia across the United States? Humboldt State’s Dr. Monica Stephens teamed up with Floating Sheep, the same group that mapped post-election Twitter hate speech to broaden the scope of the study and give a more panoramic view of America’s bigotry. The Geography Of Hate map was created by geo-coding 150,000 hate tweets between June 2012 and April 2013, dividing the tweets in three categories–racist, homophobic, and disability-hating, including the words “chink,” “gook,” “nigger,” “wetback,” “spick,” “cripple,” “dyke,” “fag,” “homo,” or “queer,” amongst others. You might argue, however, that context is everything when it comes to these words so how did the research control for that variable? They used humans (probably woefully underpaid or even unpaid Ph.D. students, natch) to analyze and code the 150,000 tweets, eschewing machine inability to read tone and coding the usage as negative, neutral, or positive.
To add more rigor to the study, the researchers accounted for tweet density by creating a scale, essentially measuring something akin to per capita hate, accounting for population density.
So, what can we conclude from all this? On a micro level, there are some rather surprising results–click on the n word, for example, and you will see for yourself…the Deep South is not the hotbed of racism it is often stereotypically cast as. On a more macro level, hate speech is clearly alive and well-spread across America. In addition, the study demonstrates that Twitter has become a really vibrant (and vociferous) platform for the spreading of hateful ideas and even recruiting people with that sort of rhetoric. Now you might argue that 150,000 tweets is not a wide enough sample to make conclusions on, but this is a prime example that Twitter *can* have scholarly utility (don’t worry, consider me as shocked as you are).